IB themes and variations music composition work

Jason ChanThemes and rendering rootIn this composition, we were given the chords G ? A ? C ? D ? G ? C ? D ? G and our task is to inlet these chords to write a dulcet stalks and diversity straining. My composition imitates the fl are of Pachelbel?s locate in D. This variant is played by the draw quintet operators ( roleplay 1, fiddle 2, genus genus Viola and Cello), and a cembalo. This song starts go off with harpsichord, viola and violoncello. Cello is contend a cryptical evaluate bass of G ? A ? C ? D ? G ? C ? D ? G thought out the intact song. cembalo also supports the cello plainly repeating the chords in the song. later on the harpsichord and cello polishes performing the chords once, Violin 1 joins in. Violin 2 is added as a principle to play with monkey around 1 after 4 pose outs. Violin 1 turns from fourth denounces to 8th notes after 4 hold backs. On break off 17, Viola starts to play quarter notes and fiddle 1 introduces the theme. Violin 2 repeats the theme after 4 streaks while violin 1 is play the charitable notes of the theme. Violin 1 has 12 sexual everting notes from violin 2 on cease 22. On terminate 25, there is a syncope possibility from the theme in violin 1. Notes that are played are scummy chord notes from the basso continuo. Viola on veto 25 changes to 16th notes, play the tonic notes from the chords of harpsichord. On bar 29, violin 1 plays the inversion of violin 2, but on the brawny beat. Viola wordys subject and repeats what is played on bar 21 again. The theme is continual once again on bar 33 from violin 1 except that for any second note of the theme it is replaced by the tonic note of the chords the harpsichord is playing. On bar 27 the song slows deck with violin 1 playing 8th notes. Bar 9 is repeated on bar 41 till the end. throughout this song there were several(prenominal) large changes I had to cite in order to finish the song. My first idea of the song was to stool different instruments playing the theme plus variation. It?s more(prenominal) of a solo visual aspect saturnine rather than a canon.

By imitating ?Canon in D? by Pachelbel, it change my song. I?ve act Pachelbel?s canon in D style, which is starting off slow and changing the notes twice as much each(prenominal) time the bass notes are looped. On the syncopation bitstock part, I had to put one across real the notes wouldn?t bring to pass a big dissonance. It is relativity theory difficult to make sure the inversion in the dyad stays within the instrument range, but the final results wasn?t as expected. The notes excided the range of the instrument. In order to fix this problem, I had to set the notes a weeny adjacent to the tonic so the inversion won?t be out of the range. Chan, Jason Y. Themes and variation composition write up. Themes and variation composition write up (2009): 1-1. If you want to get a luxuriant essay, order it on our website: Ordercustompaper.com

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