How has the director made the opening sequence of "What Lies Beneath" effective?

At decennarytion-grabbing opening sequences are vital for a director to dapple and establish, since the audience or viewer may solely measure the film by how intriguing the opening sequence is or by how much it catches their attention.

The beginning of the opening sequence of What Lies beneath creates suspense at the very(prenominal) scraping by introducing a symbolic atmosphere that relates to the films title (What Lies Beneath). The director sets the scene subaquatic at the very beginning with words which run throughm to luster in the water and then fade. This effective and useful proficiency grabs the audiences attention by a combination of excitement and disquietude; many audiences may have phobias of being placed submerged so the idea of it is fear-provoking (as is the idea of drowning).

The audiences tension relies on the chary use of the camera. For example, in the scene at the very start where Claire is lying in the bath, the birds eye shot shows her looking very odd (adding an element of surrealism). In addition, throughout the first ten minutes, every time the main character is on the screen, we see her very block-up, whereas almost all other shots are strength or long. The director may have done this with the designing intention to tell the viewer that she is different to other raft in the film.

Claire Simpson is visibly introduced to us through a close up of her face. This forces the audience to direction on her face and see us realise she is the main character. The audience is made to focus on Claires facial expressions, which indicate shock. This unnerves the audience, making them wonder wherefore she is submerged beneath water. The cameras focus changes to a mid tap shot of Claire gasping for breath, and lying in the bath. We...

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