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Friday, April 5, 2013

Frida Kahlo & Joy Hester: Representations of Self

Like everybody else, artists are effected and influenced by their individualised and cultural backgrounds. glossiness is learnt participatory and not genetic based , so it is strongly influenced by environment, experience and social learning.

Artists much(prenominal) as Frida Kahlo and exuberate Hester both explore frantic conditions and environmental influences through their artwork.

Like so many artists in the 1940s, Hesters work was deeply affected by piece War II. By employing certain techniques, Joy Hester illustrates wound up conditions through her highly authentic artworks. In exploring the violation World War II had on Australian communities, Hester furthered the stark and grand images by using minimal ink in her work.

Frida Kahlo exhibit the many sufferings in her life through her surreal and emotional artwork. Her self portraits are emotionally demanding, vivid and intense.

Through evoking their personal feelings, artists such as Joy Hester and Frida Kahlo were better able to use their personal experiences to communicate within their artwork.

Joy Hester exemplified emotional conditions through her highly personal, autobiographic artworks. She often concentrated on the human head and typesetters case to demonstrate feeling and physiological insight. Hester recognized that with a some precise strokes of brush, pen or ink in ad hoc locations (such as the eyes), the whole mood of her work could alter.

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She is often describe as a visual poet, telling the stories of human struggle, fill in and childhood. Just one of Hesters emotional artworks is Our Christ who mourns us (1947). By using only brush and ink, the portrait of Christ, illustrates much sadness and disappointment, and appears consonant to the viewer. It was created around World War II, and like many of her works, explored the impact that the conflict had on every-day people in Australian communities.

The long Mexican painter Frida Kahlo is without doubt one of the...

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